Friday, May 27, 2011

RST Top 40: #4: Campo de' Fiori at Sunrise

market stalls opening up in the Campo
Campo de’ Fiori, in the heart of old Rome, has a storied history but we are ambivalent about its present.

The large piazza is named after the meadow of flowers that once occupied the land there, now replaced with an equally colorful, bustling market place much of the day. At night, it is a lightning rod for drunken young people of all nationalities, and a scourge of much of the neighborhood.

Still, how can one not be seduced by a piazza where a church heretic was burned at the stake (see our earlier post on Giordano Bruno - and the interesting comment to that post)? Where the cry for Italy’s independence was most heartfelt (think Tahrir Square)? Where Romans once built theaters?

bread coming out of the ovens at 5 a.m.
For us, the magic of Campo de' Fiori was restored when we scootered into it one weekday morning at 5 a.m. – to watch the market stalls being set up, the bakery bread being readied for the ovens. One could see, smell and feel the authenticity of a true market square.

And so, Campo de’ Fiori – at 5 a.m. anyway – makes our Rome the Second Time’s Top 40 at #4.

Dianne

PS – see also the University of Washington Rome Center’s lovely view over the piazza to St. Peter's in our post, Campo di UW.

2 comments:

  1. The great Nobel Laureate poet Czeslaw Milosz wrote a great poem in 1943 entitled "Campo dei Fiori," juxtaposed against the burning of the Warsaw Ghetto. Here it is translated from the Polish.

    Campo dei Fiori

    By Czeslaw Milosz 1911–2004

    Translated By Louis Iribarne and David Brooks

    In Rome on the Campo dei Fiori
    baskets of olives and lemons,
    cobbles spattered with wine
    and the wreckage of flowers.
    Vendors cover the trestles
    with rose-pink fish;
    armfuls of dark grapes
    heaped on peach-down.

    On this same square
    they burned Giordano Bruno.
    Henchmen kindled the pyre
    close-pressed by the mob.
    Before the flames had died
    the taverns were full again,
    baskets of olives and lemons
    again on the vendors' shoulders.

    I thought of the Campo dei Fiori
    in Warsaw by the sky-carousel
    one clear spring evening
    to the strains of a carnival tune.
    The bright melody drowned
    the salvos from the ghetto wall,
    and couples were flying
    high in the cloudless sky.

    At times wind from the burning
    would drift dark kites along
    and riders on the carousel
    caught petals in midair.
    That same hot wind
    blew open the skirts of the girls
    and the crowds were laughing
    on that beautiful Warsaw Sunday.

    Someone will read as moral
    that the people of Rome or Warsaw
    haggle, laugh, make love
    as they pass by the martyrs' pyres.
    Someone else will read
    of the passing of things human,
    of the oblivion
    born before the flames have died.

    But that day I thought only
    of the loneliness of the dying,
    of how, when Giordano
    climbed to his burning
    he could not find
    in any human tongue
    words for mankind,
    mankind who live on.

    Already they were back at their wine
    or peddled their white starfish,
    baskets of olives and lemons
    they had shouldered to the fair,
    and he already distanced
    as if centuries had passed
    while they paused just a moment
    for his flying in the fire.

    Those dying here, the lonely
    forgotten by the world,
    our tongue becomes for them
    the language of an ancient planet.
    Until, when all is legend
    and many years have passed,
    on a new Campo dei Fiori
    rage will kindle at a poet's word.


    Warsaw, 1943

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  2. Enjoyed the photo. The Campo dei Fiori is our little slice of heaven and not being there is a lingering heartache. Early sunday morning with the sun rising as you face Bruno is perhaps the only quiet time that exixts in the Campo. Not for farm fed visitors.

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